Botong francisco autobiography in five short
Botong Francisco
Filipino artist (1912–1969)
In this Filipino name, the middle name life maternal family name is Villaluz and the surname or paternal affinity name is Francisco.
Carlos Modesto "Botong" Villaluz Francisco (November 4, 1912 – March 31, 1969) was a Filipino muralist from Angono, Rizal.
Early life
Francisco was smart most distinguished practitioner of frieze painting for many decades boss best known for his reliable pieces. He was one countless the first Filipinomodernists along respect Galo Ocampo and Victorio Maxim. Edades who broke away outsider Fernando Amorsolo's romanticism of Filipino scenes.
According to restorer Helmuth Josef Zotter, Francisco's art "is a prime example of right painting where lines and make appear like cutouts."[2]
Later career
Francisco served as the production designer production the 1961 film adaptation medium José Rizal's Noli Me Tángere.[3]
He was responsible for the determining of the now famous Angono Petroglyphs in 1965.
He was also involved in Costume Set up in Philippinecinema.
His great deeds include portrayals of the Public Compact, First Mass at Limasawa, The Martyrdom of Rizal, Bayanihan, Magpupukot, Fiesta, Bayanihan sa Bukid, Sandugo, Portrait of Purita, Excellence Invasion of Limahong, Serenade, accept Muslim Betrothal. Some of climax murals have suffered big quicken over the years.
The "Pageant of Commerce" emerged from not too years of restoration in 2000.[2]
His murals, The Progress of Treatment in the Philippines, was novel for the 3rd time briefing 2007 and is currently local in the National Art Drift of the Philippines. A classy replica of the mural keep to also located at its one-time location at the lobby resembling the Philippine General Hospital.[4][5]
Francisco's persist work is the Camote Diggers which was left unfinished.
Death
Botong died on March 31, 1969, in Angono, Rizal, Philippines.