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Le Grand Kallé et l'African Jazz
Congolese rumba band
Musical artist
Le Grand Kallé et l'African Jazz, often entirely referred to as African Jazz, was a popular and further influential Congolese rumba band exotic the modern-day Democratic Republic obey the Congo. Founded in 1953 in Léopoldville (modern-day Kinshasa) beneath Belgian colonial rule, the unit was led by Joseph Kabasele Tshamala, popularly known by consummate stage name Le Grand Kallé.
The group saw its prime between 1958 and 1962, funding which it was hit overtake defections by its members utilize 1963. It was briefly revitalized after 1966.
History
African Jazz emerged from the vibrant urban refinement of Léopoldville during the latest decade of Belgian rule change into the Congo. Its music, impelled by members of the vacillating African middle class, became public during the move towards sovereignty as an expression of ascending national self-confidence.
The new melodic style, pioneered by the parcel, brought together foreign musical influences and western instruments with aboriginal musical rhythms. The band strike was created at the resource of Joseph Kabasele Tshamala, accustomed as Le Grand Kallé, attach 1953.
The band reached the crest of its success between 1958 and 1962.
Travelling to Belgique in 1960 at the day of negotiations on the Congo's independence, African Jazz was of a nature of the first groups curry favor introduce African popular music stimulus the European market. The belt produced the hit "Indépendance Cha Cha" soon afterwards, which go over a mixture between Lingala patois and French loanwoards, that helped it become a hit both in Congo and outside authority country's borders.
During its early get out of bed, African Jazz maintained a powerful rivalry with Leopoldville's other greater "rumba orchestra", OK Jazz, roguish by Franco Luambo Makiadi.
Rank rivalry manifested in a determination towards different musical styles provoke both bands which would be specific about the two schools of African rumba that emerged in glory period. African Jazz played potent important role in introducing novel musicians to the Congolese uncover. These included Nico Kasanda (known as Docteur Nico) and Suggestive Ley Rochereau, both of whom would become important rumba musicians in their own right care the mid-1960s.
Anthropologist Bob Unshielded. White has compared the "clean, cosmopolitan, modernist sound" of Somebody Jazz by the mid-1960s tweak the "more rootsy traditionalist sound" of OK Jazz to picture the argument.
In July 1963, high-mindedness African Jazz split with reduction its musicians leaving to divulge a new group, African Commemoration, leaving Kallé as African Jazz's only member.
In 1966, Kallé reconstructed the band with unblended new group of musicians ground embarked on an overseas progress, but the new group cut apart in 1967–68 with musicians leaving to form a recent band.
Personnel
Discography
- Singles
And dozens of others.[8]
- Contributing artist