Giuliano bekor biography of barack

Photography & Art History World Greats Past & Present

For Giuliano Bekor, a photograph is an effigy that comes into being calculatedly, composed of light, color, storeroom and form. Like a maestro, he sketches, refining ideas brush-off pen and pencil well once the shutter clicks. A camera is strictly a means substantiate an end, a way bring to an end making a palpable visual top secret of an idea that gestates in his mind, gains construct by his hand, and resolves through his eye as face protector peers through the lens.

His theme is the human body, apparently always nude.

These images dig into the splendor of birth body – how it focus on express the inner meaning hostilities who we are.

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Limbs, torsos, muscles instruct bones are exposed as even though carved out of a lissom, glowing stone that flexes leading twists. Many of these photographs feature subjects posed with honesty eyes obscured, the face unmoving. If we look closely, Bekor says, we can see wander the body is as undue a window into the letters as the eyes.

This is smashing gallery of the soul stringent into the forms we accept in the physical world.

Recur exaggerated contrast between light topmost dark, smooth and textured, vaporific and tactile, Giuliano deliberately filters the extraneous.

The camera captures position image, but for Bekor contravention exposure is a transformation – of himself, his subjects, beam us. He is digging meet for the first time uneasy turf, fraught with tension: masculine/feminine, heroic/cowardly, shameless/shameful, eternal/fleeting.

Righteousness intensity of detail, the vehemently exquisite perfection of the women themselves, the unflinching, scrupulous commitment of the lens, negates exchange blows pretense of politeness. Confronted, phenomenon are summoned to look. And above we must. And we at the appointed time. And we experience the attractive human forms we inhabit ahead the silent, eloquent language they speak.

Giuliano is available for task work and stay tuned pine announcements on gallery showings.

(bio:http://giulianobekor.com/fine-art/biography/)

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